Tag Archives: twill weaving

More Twill Towels :)

Now that I’ve given all my end-of-year gifts, I can post my work over the past many months! This year I got into weaving and doing dish towels felt approachable and they’re a classic weaver’s project. I’ve posted some that I already worked on here, and then started getting ideas…

First was to pull colors from nature, pictures I take while out and about. Picking a four or five color palette to work with is NOT a strength of mine, I love chaos too much. I started with a picture I took on vacation in Redwoods National Park last year and one of the sunrise in Rocky Mountain National Park. Conveniently, these two had some shared colors so I went with dark green and brown for the warp, and others for the weft.

I started with the mountain colors, working in 2/2 twill, changing weft colors on a whim, sometimes using clasped weft to do half-rows of color. It became clear pretty quickly that the colors I chose were not really that representative of my picture inspiration, and more just red, yellow, and blue. But those three colors are still fun to with. The dark warp just got lost, I’m not sure why it isn’t as present in the final towels, but maybe it just serves to make the weft pop. I renamed these as the “primaries” series, but I still want to make a sunrise series.

Then I started in on the tree towels – but this was the longest warp I’d wound on, and the tension was pretty wonky, to say the least. In retrospect, I think a couple things happened: the tension wasn’t even as the warp was wound on and I wasn’t putting in dividers often enough, which meant there were more overlapping threads in the middle of the bar, which meant the circumference that the warp was winding onto was not equal across the warp. In other words, the sides of my warp didn’t have enough thread and the center had too much, and it was a whole hassle. I ended up unwinding it and trying again, because my weaving was so uneven and it was frustrating to work with.

It meant I lost some warp, or length, of my project (yielded 3 towels instead of 6 like the other), but it was worth it for how nicely the towels actually turned out, and the ease of the experience afterward.

Then I had nice leftovers from lots of projects, so I had to do a scrappy, chaotic set of towels. I wanted to do some sort of “color and weave” pattern, where both the way the colors in the weft and warp are laid out AND the weave structure create a specific look. Most color and weave patterns are using dark and light colors, so I divided up my leftovers into darks and lights and started looking for ideas. I wanted to do a houndstooth pattern, and stuck to a 2/2 twill on four shafts to keep it simple 🙂 these were so fun. I did stripes of four light threads and four dark threads on the warp and the weft, with a few stripes of two just for experimentation’s sake. I used the same light/dark pairs in the weft as I did in the warp, so there are little islands of perfect houndstooth among a sea of kinda-houndstooth.

Then, I thought I was done with towels for a moment, but a friend revealed to me she didn’t have any towels and I could not let that stand. I immediately chose colors that went with her apartment decor and a really pretty weave structure I’d been eyeing with no real plan to use. This braided twill (Strickler’s #181) has things in common with a twill, kind of like a point twill, but it creates diamonds that share sides instead of freestanding diamonds. I wanted to do a plaid, because I think stripes are cool and wanted to understand some of the color blending between the three colors I chose. A plaid just uses the same color pattern for the weft as it does for the warp, turned 90 degrees. I figured I’d make the weft stripes whatever width I wanted (or however much yarn I put on my bobbin), but keep the same color order. So I made my warp stripes, wound bobbins of differing lengths for fun, and started weaving. It’s a 10 treadle pattern, so it actually got into my brain and body pretty quickly and I was able to weave this fast. I did do some “2/2 twill” treading just to go even faster, since I was on a time crunch. I yielded 7 towels, so I consider it a win. I really liked the high contrast with the dark purple, but the interaction between the two lighter colors was not as interesting.

seven towels! some are finished so the “right side” is right, some so that the “wrong side” is right.

These towels were so fun to make and learn with – I got lots of experience winding on long warps, saw how different colors interact with each other, and tried a new weave structure. I think towels are so low stakes for learning and mistakes. No one cares if they’re a little wonky, or the tension isn’t quite right. I kept the weirdest offcuts for myself, either as napkins or towels, and gifted the rest. I sewed in little tags on all the corners, and I even made little labels to feel extra fancy.

Projects completed December 2025.

Autumn Projects

I’ve mainly been working on New Years gifts recently, so here are some sneak peeks:

I jumped at the chance to go to the Grand Tetons again with family and did some fun watercolor:

I wove my first “log cabin” pattern using handspun accent yarn and yellow commercial cotton, bravely cut it into strips, and quilted it using the “log cabin” block 🙂 so it’s my log cabin of log cabins pillow now.

I attended a landscape watercolor class at my local art museum, which was SUPER helpful and taught me a lot of new techniques. I think one of my main takeaways is that planning a piece *does* help, and makes sure you’re capturing the things you find important. This includes planning the contrasts, and where your dark and light colors will be. I have been mainly preoccupied with shadows, but have ignored the contrast between back/mid/foreground, which helps guide the eye across the work as a whole. As I looked back through my field book, I found that I tend to ignore the mid and foregrounds, opting to simply look into the distance and draw the mountains I see. But… adding context adds depth and interest to the piece, so I’m now looking with new considerations in mind 🙂

I’m actually quite impressed with myself for this little piece… now to bring these skills outside

I also made some stickers of my art! Which is so fun!

Random Project Dump :)

Handspun 🙂 mostly wool, with the occasional silk/wool blend. I find handspinning, whether at the wheel or on the spindle, very meditative and calming. There’s a rhythm, and a sense of creation and accomplishment. It is a wonderful thing to keep my restless hands busy with.
Frosting decorations on cookies! Having a single line of design and multiple repeats was EXACTLY THE SAME as quilting 🙂
Strap for my choir binder so my hand doesn’t have to do so much work to hold it open. Backstrap loom, handspun wool blend
I put together an embroidery kit for a friend, it was so fun to plan an entire project and *not* have to do it 🙂
Embroidered gay and trans pride bolo tie pendant 🙂 I made this for an event at the Capitol
I do visible mending on my clothes, so I decided to do an embroidered/woven patch inspired by my work in twill 🙂
Embroidered bear aware patch

Second Adventures in Table Loom Weaving

Twill towels

  • 3/2 cotton “Beam” thread from Gist Yarn warp and weft in three colors
  • Threading was by color, so I could experiment with different patterns and see the effect of the weave and the color 🙂 I planned to have all patterns be based in 2/2 twill, just different combinations and repeats
    • Pink – straight 12345678
    • Orange – point 12345678765432
    • Blue – broken
  • Warped between two chairs flipped upside down on a counter and table – did not work very well because they slid together over the warp, so the beginning threads were longer than the ending ones.
    • Also learned that I need to put more organizational ties on the warp so the threads don’t get tangled when transferring to the loom
    • I had to use a homemade pin loom as a makeshift raddle to separate the warp threads, and since I didn’t really keep the warp untangled… this was really annoying and I had to keep stopping to untangle the threads so they’d go through the raddle, and also the tension was really uneven throughout the winding of the warp.
  • One floating selvedge on each side to attempt to keep the edges straight and allow patterns that don’t always go over and under the outside threads
Note the tangled threads along the top as they enter the raddle… 😦
Sleying the reed
Blue and orange weft stripes at the bottom are point twill, pink weft at the top is the corresponding treadling to the blue warp threading (called “as drawn in”)
I called this blue weft pattern “ten jellyfish”, it is a 10 pick repeat and I think it looks like a bunch of jellyfish swimming up and down 🙂
I noticed that I was pulling the weft in more on the left passes than on the right passes – my right selvedge gradually comes in more and more, but my left selvedge is pretty consistent. I think this was also due to a lot of threads on my right side becoming looser as I wove, which I tried to weigh down but it wasn’t great.
I tried out some clasped weft – in the middle pink stripe I followed the twill line which was fun
  • Finished in the washer, dryer, and ironed, then used my sewing machine to make two kitchen towels and two napkins. It was a little intimidating to cut into my handwoven fabric, so I did a basting stitch on my machine on both sides of where I needed to cut.
😃

Pillow

  • Cotton warp, acrylic weft that I frogged from a sweater that I didn’t wear
  • Wanted to try my hand at using one pattern for an entire project instead of having fun improvising. I used Carol Strickler’s #178 for threading and “treadling” – which on a table loom is levering, I guess?
  • Direct warped with a clamp on the *opposite* side of my kitchen island, which ensured the clamp couldn’t move or fall off. I warped a couple sets of threads instead of doing all ~360 threads at one time. This was better for me logistically and it reduced the effect of the warp building up on the clamp, making some threads longer because they’re more diagonal than straight to the clamp.
    • I mainly chose to direct warp because using the homemade raddle went so poorly on the towels, but I want to try “normal warping” again.
    • Two floating selvedges on each side just to see if it would help with straighter selvedges.
Two bundles of warp hanging, the right is finished, ready to be wound on using the reed to separate the warp
Since this weft is very fuzzy, the pattern is more muted, but I like the diagonal pattern with the vertical gray warp with the horizontal colored weft stripes. So many types of lines 🙂
Finished pillow next to the pattern and book sample
Finished woven pillow and I transformed my crocheted triceratops sweater into a pillow too!

It was very rhythmic, weaving the same pattern over and over again. I started using an eight-sided die to keep track of which line I was on, and just wove and wove and wove. And I used all the yarn I frogged!

Projects completed early 2025.