Monthly Archives: August 2019

Green Diamonds Quilt

So the Green Diamonds was meant to be a trial “mess up” quilt before I attempted to quilt the rainbow bargello (see next week). I got a cheap 5-fabric fat quarter (18″x21″ piece) bundle from Joann, and cut each fabric into squares. I made half square triangles (HSTs) of each pair of fabrics – so each fabric had a set of HSTs with each other fabric. I decided to lay them out in a fake “on point” design, so that each fabric was represented by a row of diamonds. This created a secondary block, or pattern, between the rows of diamonds that’s diamonds of alternating fabric. I sewed these together in rows, then sewed the rows together. I used some excess fabric for the border.

Let’s take a second to talk about quilting. A quilt, by definition, is a piece of fabric (quilt top), a piece of batting, and another piece of fabric (backing), and at some point those three layers are held together by thread. For the most part, quilters these days use 100% cotton fabric for the quilt top and backing, and there are many different kinds of batting: cotton, polyester, cotton/poly blend, wool, etc. These three layers together are called the quilt sandwich, and the act of putting the thread through all the layers is called quilting. 🙂 Quilting can be done by hand or by machine.

  • Hand Quilting
    • Design: hand sewing a running stitch to make lines or a design across the quilt top.
    • Tying: using a needle to draw thread through all three layers and tying the thread on either side of the sandwich. Can be used with buttons or other baubles.
  • Machine Quilting
    • Walking Foot: usually used for straight line or simple designs, a walking foot is an alternative presser foot (thing that holds the fabric down against the machine as you’re sewing) that helps feed the top of the sandwich through the machine at the same rate as the feed dogs that are moving bottom of the sandwich. Normal presser feet do not bring the top through as effectively, and stitching can become uneven and fabric can get stretched or distorted.
      • Feed dogs are the little strips that come up and down and move the fabric through the machine as the needle moves up and down. In mechanical machines, the needle and feed dogs are moved by the same crankshaft.
    • Free Motion: a free motion foot is used instead of the presser foot, and the feed dogs are lowered so they do not move the fabric. The quilter moves the fabric around the sewing machine space so that the needle travels across the fabric. Can make lines and patterns like hand quilting.
    • Longarm: a special sewing machine where the fabric is held stationary on a large frame, and the quilter moves the machine with the needle around the quilt. Machines like these are very expensive but incredibly effective. Much easier than moving the fabric in free motion.

So I knew I wanted to do free motion with this quilt. I did a lot of practice with pen and paper (surprisingly useful) and on scraps. In a fit of ambition, I decided that each fabric would have its own design. There is “dot-to-dot”, NZNZ, swirl with petals, wavy lines, and wishbone. Let me say this now: I didn’t practice enough on all of the designs. I’d done wishbone before on a pillow, so that one turned out pretty nice. And I surprised myself by having some very nice wavy lines, too. Dot-to-dot was the hardest – creating a straight line mid-fabric without any guides (I decided to forego drawing in water soluble marker on my fabric) is really hard.

Before you quilt the sandwich, you have to baste it so that all the layers stay aligned and don’t move around while you’re quilting. You can hand baste with stitches, spray baste with adhesive, or safety pin (my chosen method). You lay your sandwich on a flat surface (preferably not carpet), and I like to tape down the edges of my backing so it doesn’t slide about. Then you start pinning in the center and move outwards, smoothing wrinkles as you go. This also makes sure that you don’t end up with weird wrinkles, pleats, or bunches in your finished product (but more on that later).

So anyway after pinning the living daylights out of my sandwich, I sat down to do some free motion. You always start in the middle and work your way out, just like basting. I decided to work down the rows so that I could keep doing the same design and keep it in my muscle memory. One of my issues with this quilt was moving from diamond to diamond – some of my designs didn’t bring me back to my starting point, or guide me into the next diamond. Also, since this was an HST design, there can be up to 8 layers of fabric at the intersections, which made it bumpy and hard to quilt near the centers and points of each diamond.

It took a bit, but I quilted this in a couple nights and put the binding on (strip of fabric wrapped around the edges of the fabric).

Now – about the wrinkles and bunches. I loved my finished product, but there’s one last step in quiltmaking. Washing and drying. No one likes something they can’t throw in the washer and dryer. I was extremely worried about threads coming loose, or the binding just spontaneously falling off (extremely unlikely), but I threw it in the washer anyway. And when I put it in the dryer, I didn’t even look at it.

But then it turned out wonderfully crinkly and soft, and nothing bad happened 🙂 Washing your quilt helps the batting fluff up a bit, and the quilting sinks down, making a nice texture that hides mistakes (of which I made many) and bumps (of which there are many) and pretty much everything else. Plus it makes the whole thing soft and cuddly, which is what quilts are (for me) meant to be. I don’t think you’d wash an art quilt, or something with super detailed free motion, but for my purposes, I learned to stop worrying about the tiny things because I can’t even find them anymore when I look at the quilt. And as Angela Walters says, “better finished than perfect”.

Project completed May 24, 2019.

OBW: Ocean (In Progress)

I finally got around to adding the borders and finishing up the back. The hardest part has been preparing and planning how to quilt this bad boy. I’ve had the top done for some weeks now, but agonizing over what to quilt. I want to honor the kaleidoscope effect while doing something simple that won’t detract from the coolness nor add to the chaos. I think I’ve finally got it and hopefully my next post about this quilt will be the completed version.

The backing! I’m using a full panel and some leftover hexagons that didn’t make it into the top.

Now you can see the full beauty of the original panel. I wanted to put the full panel on the back so I could (a) easily show people the original fabric and (b) display it with the panel side showing. The layout on the front kind of mimics the colors of the panel too, with blues on the top and greens on the bottom. And you can see why I, a lifelong whale lover, chose this fabric 🙂

Let’s Go NOVA

Go Wildcats! I went to Villanova for a time, and made this for a fellow Villanovan in celebration of their win in the NCAA March Madness tournament. I used a canvas from Joann and some acrylic paints to do a paint pour with the Villanova colors. Paint pours are super simple and usually turn out awesome (if you stop while you’re ahead instead of messing with it too much). You just mix paint with some water or flow acrylic (a special product to make paint move easier), and pour it on the canvas. Then you tilt the canvas around to make the paints move and mix together.

After the canvas dried, I traced my pattern onto the back of the canvas so I would know where to stitch. The pattern is mainly backstitches and satin stitch, with 6-strand thread for maximum fluffiness and volume. Canvasses are a bit tricky to stitch in since the holes don’t close up as easily as with fabric, but I was dedicated to the paint pour background so I stuck through it.

Project completed May 4, 2018.

Rocky Mountain Quilt Museum

Yesterday my mom and I went to the Rocky Mountain Quilt Museum (check out their search feature, they have tons of pictures of quilts). It was so cool. The main exhibition they had was called Evolution, so all the quilts were art quilts meant to reflect that theme. These were truly works of art with mixed media (lots of painting), and machine and hand quilting together. It showed me the more artistic limit of what quilting can be – meanwhile I’m hanging out on the more “function over form” side. We saw some really intricate strip piecing (some strips were 1/10th of an inch wide, which is crazy thin) and some cool improv/random piecing. Some people included different types of threads, types of fabric – like cotton with silk and organza, and lots of fun applique. There was an incredible mandala type quilt with buttons, a piece that looked like an abstract painting, and improv/cut up strip piecing to recreate geologic formations.

What my mom and I noticed, apart from the art, was that a lot of the quilters hailed from scientific fields – the quilt that won the exhibition was a former molecular bioscientist, she carved a wood block depicting mitosis, printed it on her fabric, and then quilted it (below).

CELL-ebration – Kathy Suprenant

The one that struck me the most was this koi fish quilt called Ritsurin in the Rain by Martha Wolfe. It has a pieced background with appliqued fish, covered with organza, then quilted with “rain” lines and “ripples”. I’ve been thinking about using organza over a landscape applique to mimic a sunbeam, and seeing it in person confirmed that it could work. And the fish! They’re made with layered applique, so each of the patches on the fish is a different piece of fabric, all (I assume) fused together and then placed on the background.

The sign indicated the techniques included: raw-edge applique, machine piecing, machine quilting, hand quilting
Look at the layers of fabric – they’re raw edge, she cut those out and layered them to make it look like a fish

Needless to say, I will definitely be going back when they rotate exhibitions. The talent – and vision – of these artists is insane.

Under the Sea Pillows

These pillows were my first foray into quilting! I got the High Seas 5″ squares on sale and paired them with a light gray background fabric.

I did a simple loopy free motion design on the 5″ square layout, and some coral-like wavy shapes on the half square triangle layout. This was me figuring out how to do free motion quilting effectively, including wrangling the excess fabric, what speed to move at, and how to control the whole situation. More about free motion quilting next week! 🙂

The backs for both the pillows are this adorable whale fabric, and I’m planning on making a shirt out of the leftovers. 🙂

Project completed April 29, 2019.

Flowers in Her Hair

This is from the wonderful Namaste Embroidery’s pattern “Flowers in Her Hair”. It’s mainly fishbone leaves and lots of wagon wheels! It was a joy to do for one of my friends from college, even all the single-strand satin stitch that was very difficult to get parallel. I loved choosing all the different green shades for the leaves, and I figured I’d offset it with some nice bright flower colors.

Project completed April 2, 2018.

Jelly Roll Rugs!

These are some mini jelly roll rugs 🙂 A jelly roll (technically trademarked by Moda Fabrics) is a roll of 2.5″ x 44″ strips of a fabric collection, and usually has 40-ish strips. I modified the RJ Designs Jelly Roll Rug pattern to use 20 strips for each rug so they’d turn out to be doorway-ish-sized. The assembly is super easy, all the strips are sewn together, and then you fold and sew precut batting strips into the long strip of fabric. So then you have a long strip of fabric folded around batting, and swirl that around itself to make the rug. It was a bit fiddly but I used my walking foot on the machine to help guide the fabric through evenly. Apparently if you use the whole roll, or even two rolls, for one rug you can get a supersized jelly roll rug, which I might make for my living room.

The fabric line I used is called All Weather Friend by Moda Fabrics. I gave one to a couple for their wedding, and “all weather friend” describes marriage perfectly! 🙂

Tutorial here. Project completed June 18, 2019

Embroidered Wreath

Let’s start off with an old project – hand embroidery was what started my journey towards quilting, in a roundabout way. 🙂 This is a project I made for my mom for her office. I used Namaste Embroidery’s tutorial for double hoops to make the wreath shape. I had done some simple embroidery before, but this was my first project that I planned out by myself (with PowerPoint!). I wanted to use different kinds of stitches to make petals and create different shapes, and link them with little baby flowers and leaves.

Modified lazy daisy stitch petals with wagon wheel centers and fishbone stitch leaves

I used stitches I had done before but in different ways – a lazy daisy stitch is usually used as a line or small petals with a common center (see off to the right, those light green petals and dark green stem are also lazy daisy stitch). I wanted to make bigger petals that were reminiscent of sunflowers, so I made the lazy daisy into more of a triangle shape. The wagon wheel is always a great flower center, and I stitched it by putting different colored strands together to make a new thread.

Elongated pistil stitch petals with french knot centers and fishbone leaves

I really like the look of pistil stitch, and I varied the number of french knots on the end throughout the petals. French knots have great texture and I liked using them in two different ways on these flowers.

Satin stitch petals with pistil stitch and fishbone leaves

I like these flowers, but it was my first real usage of satin stitch. I think if I did it again, I’d use lazy daisy stitch or even backstitching with a larger thread size to fill in the space. It ended up being tedious, but it turned out nice.

Self-drafted design

Project completed March 2, 2018